Catalog :




Detail Article

Allusion

ISSN 2301-5829

Vol. 5 / No. 2 / Published : 2016-02

TOC : 3, and page :104 - 110

Related with : Scholar   Yahoo!   Bing

Original Article :

Nobody likes a worrywart: hypertextuality in grimm brothers ’the worn-out dancing shoes and juliet marillier’s wildwood dancing

Author :

  1. Alberta Natasia Adji*1
  2. Christinawati*2
  1. Mahasiswa Fakultas Ilmu Budaya
  2. Dosen Fakultas Ilmu Budaya

Abstract :

Pre-existing literature, such as original fairy tales, has a significant influence in the birth of modern novels decades later by providing the blue print of the evolving narrative. The connection between the two is manifested in Grimm Brothers’ The Worn-Out Dancing Shoes and its successor, Juliet Marillier’s Wildwood Dancing. The fairy tale tells about twelve princesses who mostly pass their bedtimes to dance all night in an underworld kingdom until one day a clever soldier manages to unravel their secret. Emphasizing as the branch of the preceding fairy tale, the later-born novel presents five sisters who become occasional visitors of the Other Kingdom and must conquer challenges that threaten their magical journey. The two protagonists, the unnamed twelfth princess from the tale and Jena the second sister from the novel, have directed a study which thrives in the sharpness of their sensibility trait while alarming their sisters of upcoming obstacles. These two young women see things critically and try to remind others whether there is misfit in any situation. Assigning Gerard Genette’s Hypertextuality, the character’s sensibility trait is approached within the term of allusion. 

Keyword :

allusion, fairy tale, hypertext, sensibility,


References :

  1. Dolan, Elizabeth A, (2003). British Romantic melancholia: Charlotte Smith's Elegiac Sonnets, medical discourse and the problem of sensibility. 2003: 237-253 : Journal of European Studies
  2. Tatar, Maria, (1987). The Hard Facts about Grimm's Fairy Tales. - : New Jersey: Princeton University Press
  3. Zipes, Jack, (2006). Fairy Tales and the Art of Subversion. - : London and New York: Routledge


   


Archive Article

Cover Media Content

Volume : 5 / No. : 2 / Pub. : 2016-02
  1. An intertextual study of the young protagonists’ self-reliance in beatrix potter’s the tale of peter rabbit and nancy farmer’s the house of the scorpion
  2. Back to africa movement: a new historicist reading of lorraine hansberry’s drama a raisin in the sun
  3. Nobody likes a worrywart: hypertextuality in grimm brothers ’the worn-out dancing shoes and juliet marillier’s wildwood dancing
  4. Society’s ignorance towards addicts’ predicament in j. k. rowling’s the casual vacancy: a dynamic structuralism study
  5. False women’s empowerment: the representation of femininity and financial subordination of women to men in the olx indonesia commercials “rumah tangga” version (2014-2015)
  6. From enchantress to murderess: the portrayal of amy dunne as ‘femme fatale’ in gillian flynn’s gone girl
  7. Audience response toward lara croft in tomb raider 2013: a study on heterosexual male gamers
  8. The representation of masculinity in south korean reality show “the return of superman”
  9. The representation of masculinity in zwitsal amazing softness commercial
  10. Man’s body on the lin: male objectification in magic mike (2012)
  11. The representation of masculinity in g-dragon’s crayon movie video
  12. False consciousness in google’s working class society in levy’s the internship film (2013)
  13. Deconstructing human being’s nature in lois lowry’s the giver
  14. The representation of indonesia in an australian newspaper sydney morning herald online 2015 covering the case of andrew chan and myuran sukumaran’s death penalty: a critical discourse analysis