Allusion
ISSN 2301-5829
Vol. 2 / No. 1 / Published : 2013-02
Order : 10, and page :69 - 76
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Original Article :
The male gaze in chicago film (2002)
Author :
- Twyke Ridhatilla Ayu Sindy*1
- Mahasiswa Fakultas Ilmu Budaya
Abstract :
This study is to identify and analyze how the male gaze operates in Chicago Film (2002). Based on Male Gaze theory by Laura Mulvey used in this study, it focuses on the gaze of the man audiences when looks at the women. This study will identify several frames of scenes in the movie which focus on two female characters in this film in orderto identify and investigate how the male gaze operates in this film. Identifying this movie by using qualitative method of film studies, the writer identifiedthe aspects of narrative and non-narrative (camera shoots, camera angle, make-up and costume) and found that the movie carried much conviction that women are being the object of male gazeto fulfill the desire of the audiences especially the men.
Keyword :
Male Gaze, Narrative, Non-Narrative, Women,
References :
-,(2002) Chicago New York : Miramax Production
Byerly, Carolyn M. & Ross, Karen,(2006) Women and Media: A Critical Introduction Oxford : Blackwell Publishing
McGowan, Todd,(2007) The Real Gaze: Film Theory after Lacan New York : State University of New York Press
Bordwell, David & Kristin, Thompson,(2008) Film Art: an Introduction 8th Edition New York : McGraw-Hill Companies
Davis, Fred,(1992) Fashion, Culture, and Identity Chicago : The University of Chicago Press
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